![bel knock knock bel knock knock](https://resizing.flixster.com/2p7ZvkM8NiPmq9JcypAYzuBJzMg=/740x380/v2/https://statcdn.fandango.com/MPX/image/NBCU_Fandango/42/27/KnockKnock_TRAILER.jpg)
At age 18, with Spanish citizenship through her maternal grandparents, de Armas moved to Madrid, Spain, to pursue an acting career.
![bel knock knock bel knock knock](https://static.wikia.nocookie.net/villains/images/4/43/Belle_Genesis.jpg)
She left the four-year drama course months before presenting her final thesis because Cuban graduates are forbidden from leaving the country without completing three years of mandatory service to the community. While a student there, she filmed three movies. She hitchhiked or traveled by bus each day to attend the "rigorous" course. In 2002, aged 14, she successfully auditioned to join Havana's National Theater School of Cuba. She memorized and practiced monologues in front of the mirror, and decided to become an actress when she was 12.
Bel knock knock movie#
She was allowed to watch "20 minutes of cartoons on Saturday and the Sunday movie matinee." Her family did not own a "video or DVD player" and she watched Hollywood movies in her neighbor's apartment. Īs a teenager, de Armas had no internet access and had limited knowledge of popular culture beyond Cuba. While de Armas grew up with food rationing, fuel shortages and electricity blackouts during Cuba's Special Period, she has described her childhood as happy. She has one older brother, Javier, a New York-based photographer who, in 2020, was questioned by Cuban police due to his critical stance on Decree 349 and his links to artists under government surveillance. Her mother, Ana, worked in the human resources section of the Ministry of Education. He had previously studied philosophy at a Soviet university. Her father, Ramón, worked in different positions including as a bank manager, a teacher, a school principal, and the deputy mayor of a town. 2.2 2017–present: Breakthrough and rise to prominenceĪna Celia de Armas Caso was born on 30 April 1988 in Havana, and raised in the small city of Santa Cruz del Norte.2.1 2006–2016: Early work and transition to Hollywood roles.She played Bond girl Paloma in the James Bond film No Time to Die (2021) and is set to portray Marilyn Monroe in the Netflix biographical drama Blonde (2022). For her performance as nurse Marta Cabrera in the mystery film Knives Out (2019), de Armas was nominated for the Golden Globe Award for Best Actress in a Comedy or Musical and won the Saturn Award for Best Supporting Actress. She rose to prominence with her role as a holographic AI projection in the science fiction film Blade Runner 2049 (2017). At age 18, she moved to Madrid, Spain and starred in the popular teen drama El Internado for six seasons from 2007 to 2010.Īfter moving to Los Angeles, de Armas had English-speaking roles in the erotic thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016), and had a supporting role in the sports biopic Hands of Stone (2016). She began her career in her home country of Cuba and had a leading role in the romantic drama Una rosa de Francia (2006).
![bel knock knock bel knock knock](https://www.avforums.com/image.php?imageparameters=editorial/products/978c6c2e50175135996fcdfa1faf6117_9582.jpg)
If "Knock Knock" succeeds at anything, it's at escalating a level of temptation to a point at which you can feel a once-resolute brain start debating with itself.Ana Celia de Armas Caso ( Spanish: born 30 April 1988) is a Cuban-Spanish actress. The setup has "too good to be true" written all over it: Alone for a long weekend while his wife and kids vacation at the beach, Evan opens the door during a rainstorm to find Genesis (Lorenza Izzo, Roth's wife) and Bel (Ana de Armas), two beautiful and much-younger women who are soaked from the rain and practically wearing banners that say "Male fantasy." (Bel even says she wants to get comfortable with threesomes because she knows her future husband will be interested in other women.) At first Evan resists, Reeves convincingly portraying the sexually frustrated architect's discomfort while moving every time the girls, who of course change into robes while their clothes go in the dryer, sit deliberately close to him. It's no spoiler to indicate that the movie, director/co-writer Eli Roth's ("Hostel") latest finger-wagging at naïve dudes who incorrectly assume there will be no consequences for treading where they shouldn't, reaches such a place of punishment.