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This isn’t ideal for longer projects, but for short scenes and simple vlogs, the Cut Page is your new home. The Cut Page is for those on the go - editors who drop their footage into the timeline then quickly edit, render, and deliver. The new page is intended to simplify and streamline the editing process by removing many of the systematic elements of the edit page. The biggest surprise from Blackmagic’s NAB Resolve demo was the addition of a brand-new page called the Cut Page. It’s a great way to work and Resolve is close to having a unique logging and organization technique that the other track-based NLEs don’t have.If you’re an editor on the move, DaVinci Resolve 16’s new Cut Page can really improve your workflow. I have said this before (like up above!) but if this sounds a lot like I’m trying to make Resolve’s Marker Keywords behave like Range-based keywording in FCPX then you’re right, I am. They may indeed be subclips but if they could exist in their own bin with their own names they would be much more usable. You don’t want to have to dig around and twirl arrow and drag stuff here and there to get these marked clip regions to a new, usable bin that is separate from their master clips. I think that last bullet point is the biggest one for making this technique really work.
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All about learning and discovering how to properly use Resolve for creative editing and storytelling.
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That’s how t he free 2-part Craft Editing in DaVinci Resolve 15 webinar came to be on Moviola. When I do these things I often post about them here on the Editblog.
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I dig into some of the tools and techniques that the tool might offer and try to find unique, cool, efficient and just fun ways to use them to make craft / offline editing easier. This is often what I do when a new editorial tool comes around that I may have to use. And there are probably more things you can do with them that I haven’t discovered yet. You can also collect them as subclips into other bins or even selects sequences. If you add Marker Keywordsyou can add them to a range of frames by setting a duration to that marker.
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Once you add those keywords to clips in Resolve you can do things with them, like collect them into a Smart Bin. Adding marker names and keywords can add an extra level of functionality to Resolve when it comes to logging media for an edit. Yes, those tools have things like notes and comments and descriptions, all available by applying metadata to clips in a bin, but they don’t have keywords. But by having keywords in general Resolve has a level of logging and organization that is one feature beyond both Avid Media Composer and Adobe Premiere Pro. They also don’t add up to equal the unique, efficient and powerful way that FCPX can log and organize materials. These aren’t all features that were new to Resolve 15 though some of them have been added and matured in recent updates.
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It was an exploration of how a combination of small featured in Resolve 15 can come together to sort of emulate Final Cut Pro X’s Range-based keywording. Recently I posted an article called DaVinci Resolve is a few steps away from Range-based Keywording.